![]() ![]() A foundation in the basics now will prevent much frustration later. ![]() If you'd like to join us on Discord, you can do it here! Are you looking for critiques for your piece or are you showing off someone else's work that you've found that is inspirationally excellent? ![]() If you post a video, please explain in the title of your post why you're posting it. We are not here to be sold to or spammed, so no posting of your AE templates, please. We're here to help with your After Effects problems, critique your pieces, and sometimes provide a spot of inspiration. ![]() This will give you perfect outputs every time.Don't downvote a relevant submission you simply don't like kindly explain in a comment how it could be improved - anonymous downvotes don't help anybody. There is absolutely zero difference file structure wise, the MP4/MOV is simply the wrapper for the H.264 codec. However, after you have rendered out your H.264 MP4 at the desired bitrate and resolution if you need the file to be QT compatible, or the client specifically wants an MOV file, simply change the extension from "FILE.mp4" to "FILE.mov". Again, H.264 and MOV simply are not friendly within the CS suite. NOTE: There is absolutely no need and I don't recommend using the QT in premiere either. Use AME (Adobe Media Encoder, or import the file into Premiere Pro and Sequence the comp), and render out using export/AME and H.264 using the MP4 option. But the output will be perfect in terms of what you are seeing in AE. Now this will output your composition to a lossless QT Animation file, which yes, will be very large, especially if you include an alpha channel. Options: You can select your Channels as to include or not include Alpha along with RGB. The proven workflow / best practice in terms of output is:įormat Options Button -> Video Codec: Animation Unfortunately, regardless of the settings, you will get less than desirable results (typically terrible). I would not recommend trying to output your AE Comp using H.264. ![]()
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